A Jazz Guide to Practicing

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Learn Jazz Standards Instuments
Did the Jazz Greats Use Music Theory?

As musicians, all of us have sat down with our instruments, ready to embark on that most sacred ritual.  You close the door to the room, say a silent prayer to the jazz gods, and begin shedding away on your instrument, desperate to reach that so-called ā€œnext levelā€.This was the time, the time you had set apart for this today (you missed it yesterday so of course you added that pivotal extra hour). After hours of flying fingers and a brain turned to putty, you realize you had just been mindlessly ā€œnoodlingā€ on your instrument.  You didnā€™t get anywhere! You didnā€™t break that barrier you hoped.  That of the most ambiguous of activities had once again outwitted you: Practice.

  Practice. Yes, thatā€™s right.  The curse of practicing started with those dreaded lessons you started as a kid; followed by your momā€™s endless nagging, and now youā€™re addicted.  Some time later, you started to love the instrument, love jazz music, got obsessed, and now itā€™s an activity you cant miss without feeling at least a little bit guilty. 

  Like you, Iā€™ve often had to sit back and ask the questions: What should I be practicing? How do I get better? These are really important questions.  Maybe some of you are just starting out with jazz and simply donā€™t know at all what to practice, or maybe youā€™ve been playing for years and just hit a wall and donā€™t know whatā€™s next.  Donā€™t worry! There is still hope!  In this Jazz Guide to Practicing, Iā€™ve included some essentials for your practice routine as a jazz musician.  Practicing jazz can be overwhelming at times, but adding these important elements to your routine and heeding these tips will send you flying to the high road of improvement! So if youā€™re still with me, read on.

  Listen.

              Listen to jazz music, and make it part of your everyday routine.  I know what youā€™re thinking: Thatā€™s not practicing! Give me some real tips! But listen, internalizing this music is really what is going to help you over and above any technical exercises you like to do.  I was in a master class with the great guitarist Bruce Forman once, and he stood up in front of all of us and said very seriously: ā€œIf you donā€™t listen to this music, you are never going to get it.ā€ If you arenā€™t familiar with the language, how can you speak it?

              I am a firm believer that listening to music is practicing, and itā€™s some of the best you can get.  Listen to the earliest of jazz, know the sounds, know the roots, and know the history.  Listen to the most cutting edge modern jazz recordings, and know what cats are doing now.  Thatā€™s right, I am indeed saying that even when you are in the shower, in your room, driving your car (or the subway for all of us NYC dwellers), while listening to music: you are practicing. 

  Write it down.

         Going into your practice room without knowing what you are going to work on will increase your chances of an un-productive session.  Itā€™s like hopping into your car for a drive without having a destination; you donā€™t know where youā€™re going and youā€™ll probably end up running out of gas, or right back to where you started.  Write down what you are going to work on that day. Be specific. You might end up making the classic mistake of overestimating what you can achieve, but hey, the rest is for tomorrow! Write down your musical goals.  The statistics are out, and the results indicate that people who write down their goals are much more likely to achieve success in life than those who donā€™t.

 Learn tunes.

             I once asked the great guitarist Peter Bernstein during a lesson what he used to practice early on in the game. He replied, ā€œTunes man.  I let the tunes teach me.ā€ What he meant by tunes was jazz standards, or standard pieces in the repertoire.  Learning tunes is essential to being a jazz musician, and here is why: itā€™s the history, itā€™s the language, and itā€™s the common thread of communication. 

 Tunes are where you learn about harmony in jazz, and the melodies that influenced all of the greats from the past to the present.  I donā€™t think I have ever heard a successful jazz musician say, ā€œDonā€™t learn tunes man! Thatā€™s useless!ā€  They are essential to the working musician.  Iā€™ve heard some guys make excuses before: ā€œYeah I donā€™t know that many tunes, I write my own music, itā€™s the way of the future.ā€ Wrong. Know your standards and write music.  You canā€™t play a three hour restaurant gig, a cocktail hour, or a private party strictly with your originals most of the time, and thatā€™s a lot of the work out there.  You definitely canā€™t play at a public jam session with your originals.  It never hurts to learn more tunes, and itā€™s a great thing to incorporate into your practice.

 Transcribe/Learn solos.

          Let me be clear about something, you donā€™t need to write the solo down, but you can.  Iā€™ve only written down solos just several times myself.  I think there is a lot of value in doing that, but the most important part is learning it on your instrument by ear.  Learning solos and pieces of language from the greats was something that really helped ā€œjump-startā€ my playing when I first started my journey in jazz. In fact, one year I had a teacher make me learn 32 bars of a solo every week!  Iā€™ll be honest, I think it was unnecessary to do quite that much.  You donā€™t need to.  You donā€™t even need to lift entire solos (although there is value in that as well).  If youā€™re a tenor sax player, learn a line you like off of a Sonny Rollins solo. Piano: those Red Garland block chords. Bass: the walking lines from Ray Brown. Drums: Some trading fours from Philly Joe Jones.  Not only will you be learning some language that will sink into your subconscious, you will be training your ear at the same time.  Start easy, get a slow down program if you have to, but do a little bit when you can. It will do your practice session a lot of good!

 Focus on fixing whatā€™s broken.

           Hereā€™s another thing I learned from Bruce Forman: focus on whatever is giving you trouble at the time. In other words, if youā€™re feeling like your technical abilities are failing on your instrument, start shedding those scales, arpeggios, and technical exercises. If you went to a session and you didnā€™t know a lot of the tunes being called, start learning some more tunes. If youā€™re feeling like you lack language, start listening, transcribing, and blowing over tunes.  Maybe your ears arenā€™t up to par; try practicing in all 12 keys. Itā€™s simple advice, but very important.  Donā€™t just keep practicing whatā€™s easy for you. Figure out whatā€™s broken and start fixing it.

 Donā€™t burn out.

          Weā€™ve all heard the stories of John Coltrane locking himself up and practicing for an un-godly amount of hours.  Iā€™ve heard a lot of other stories of guys and their grueling practice habits, some even resulting in malnutrition and trips to the hospital! Crazy right?  I used to practice long hours; I think the record being 10. But letā€™s be honest, a lot of the time spent was un-productive, crappy overkill.  I know that jazz musicians have big egos; your buddy is talking about how he practiced eight hours yesterday, and suddenly itā€™s a competition.  Donā€™t give in to the peer pressure; youā€™re better than that!  I donā€™t think there is anything wrong with practicing long hours, but remember to ask yourself these questions: Is it still productive practice? Is it necessary? Am I still having fun? I think you can still accomplish just as much in a short time period if your practice is focused.  Remember, you have the rest of your life to work on this music.

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TAKE YOUR JAZZ PLAYING TO THE NEXT LEVEL.

We help musicians of all instruments start improvising confidently over jazz standards in just 30 days without mind-numbing hours of practice or the overwhelm.

TAKE YOUR JAZZ PLAYING TO THE NEXT LEVEL.

We help musicians of all instruments start improvising confidently over jazz standards in as little as 30 days without mind-numbing hours of practice or the overwhelm.

ā€œJazz music is the power of now. There is no script. Itā€™s conversation. The emotion is given to you by musicians as they make split-second decisions to fulfill what they feel the moment requires.ā€
WYNTON MARSALIS

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For play-alongs and eBooks:

Because these are digital downloads, and not returnable, we have a strict no refund policy. All purchases are final and cannot be reversed. Please be sure that you fully understand the product you are purchasing and what is and what is not included. Of course, if you ever have any questions about a product feel free to contact usor visit our FAQ page.

For 30 Days to Better Jazz Playing eCourse

Please make sure you completely understand the product you are buying before purchasing.

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  • This guarantee lasts 14 days, which completely covers almost half of the course, enough for you to observe its’ effectiveness.
  • We canā€™t guarantee you will be Miles Davis, Charlie Parker, or John Coltrane in 2 weeks. We’d be suspicious of anyone who could promise that. Becoming a better jazz musician is a process and it requires work.
  • If youā€™re not happy with the quality of this programā€¦send us an email and showing you did the work. We’ll refund 100% of your money (We’ll even eat the credit-card processing fees) and weā€™ll part as friends. We believe in the power of this course and so we’ll take responsibility for it.

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