Bluesette, composed by jazz legend harmonica player Toots Thielemans in 1964, is to harmonica players what Hey Joe is to guitarists. It is a staple for jazz chromatic harmonica and a challenging jazz waltz with tricky changes.
Of course, this tune isnāt just great for harmonica players to learn, itās a great standard for all musicians to add to their repertoire. But as a harmonica player myself, Iām excited to show a bit of my practice routine on Bluesette. Iām going to show you two exercises which ultimately can be applied to any jazz tune.
Before I unveil this, I want to tell you that Bluesette, which is the contraction of blues and musette, isnāt a tune for complete beginners. Originally in G Major itās now more often played in Bb. You will run through several II-V progressions going into different keys,
which is perfect for practicing your scales and learning how to navigate through tonalities.
To start, you need to know a few scales before jumping into it, such as Bb Major, Eb Major, Db major and B major. Lastly, I suggest you learn the melody by ear directly from the Toots Thielemansā recording rather than reading through a lead sheet. Below is the original from āThe Whistle and His Guitarā released in 1964 with Arnold Fishkind on bass, Sol Gubin and Don Lamond on drums, Toots Thielemans on guitar and whistling, and Dick Hyman on organ.
Exercise #1: Chord Scale
Here is a great exercise to memorize your chord scales. Weāll start playing a chord scale ascending from the tonic to the fifth. For example on Bb Major, Bar 1: Bb, C, D, Eb and F. Then weāll alternate on the following bar with a chord scale descending, from the seventh to the third. Bb Major, Bar 2 will be A, G, F, Eb and D.
Try with a metronome starting at 60 bpm. You can speed up the tempo after you feel comfortable playing even eight-notes. Donāt try to swing them.
Exercise #2: Bluesette Bebop Pattern
Lastly, I would like to show you a classic bebop phrase which weāll play on every bar and transpose it to the chord occurring at that moment. It uses the Major seventh, Tonic, fourth, second flat third and major third on every major chord.
I hope you enjoy these exercises and put them to practice. Make sure you practice along with a metronome, practice with varying speeds, and try creating some patterns of your own.