Welcome to episode 158 of the LJS Podcast where today we are talking about how to add chromaticism into your jazz lines. Chromaticism is one of the characteristics of a classic “jazz sound” and so we take a close look at how to implement it. We go over 5 different licks and gradually introduce chromaticism into them.
Listen to episode 158
Chromaticism is what I consider a prominent characteristic of the classic “jazz sound.” Classic, meaning, some of the more traditional languages of jazz like bebop.
Anyone can add chromatic notes into their jazz lines, but doing it in a way that is tasteful and makes musical sense takes some study and understanding.
Beboppers like Charlie Parker were experts at utilizing chromaticism in a tasteful way. That’s where this concept of “there are no wrong notes” comes from.
The idea being, as long as you resolve a chromatic note to a diatonic note properly, it’s going to sound good. This is the concept of tension and resolution.
In this episode, I go over 5 licks that I composed that slowly introduce chromaticism. Let’s dig in!
In this episode:
1. Definition of chromaticism.
2. Example of a diatonic line with no chromaticism.
3. 4 licks that introduce chromaticism into the diatonic line.
Lick With No Chromaticism
Lick Adding Chromaticism
Lick Adding More Chromaticism
Lick Exaggerating Chromaticism
Short ii-V-I Using Enclosure
I look forward to having you join me in the next episode!