Tag Archive: Chet Baker

  1. My Funny Valentine

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    My Funny Valentine was written by Richard Rogers and Lorenz Hart (before there was Rogers and Hammerstein).  It’s from “Babes In Arms,”  a 1937 musical from which the standards “Where or When” and “The Lady is a Tramp” also originated.  The musical was made into a film starring Judy Garland and 19-year-old Mickey Rooney, in 1939, although they cut My Funny Valentine out of the movie.

    Judy Garland, who should have sung My Funny Valentine in the original film.

    This is one of the most common standards of all time, and it seems to transcend jazz. I even found versions of people like model Michelle Pfeifer doing this song. What I’ve noticed is that there are quite a few interpretations of the chord changes on this particular tune, and it’s difficult to know what the “real” changes are. The tune is typically done in C minor, but the bridge goes the relative major, in Eb. The form is AABA. However, beyond this the various recordings are very different harmonically.  For this reason, I will cover the changes on several versions, and I also give my own, which are generally from Sarah Vaughan’s version, but contain elements from other recordings.
    Two of the most influential recordings are the Miles Davis and the Chet Baker version below. I have included a .pdf with both versions of the changes.

    Rogers and Hart

    Comparison of Chet and Miles-Chord Changes on My Funny Valentine (.pdf)
    My Funny Valentine Comparison

    What is the Form of the Tune?  How many bars is My Funny Valentine?

    It’s an AABA form, but it’s NOT 32 bars.  The last A has 12 bars, making the tune 36 bars total, similar to All the Things You Are.

  2. There Will Never Be Another You

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    I’ve been fascinated by this jazz standard ever since I was in high school. I was at the Lionel Hampton jazz festival in Moscow, Idaho, which is the biggest jazz festival in the world by student participants. I still remember hearing the Outstanding High School soloists on each instrument jam on this tune with no music at the evening concert. They sounded incredible. I HAD to learn this tune!

    The last 5 bars have so many different changes on different recordings that it’s impossible to say what the “right” changes are. I have chosen to go with the Chet Baker/Oscar Peterson changes. You can’t argue with Oscar Peterson! The George Benson changes in the last 5 bars are probably closest to the changes written in the Real Book, although any of the recordings below have acceptable changes as long as the players agree by either talking about it or by listening. If they must use a chart, then it’s better to use the same chart.