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	<title>Learn Jazz Standards</title>
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	<link>http://www.learnjazzstandards.com</link>
	<description>A Jazz Guide for Musicians</description>
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		<title>Minority</title>
		<link>http://www.learnjazzstandards.com/jazz-standards/jazz-originals/minority/</link>
		<comments>http://www.learnjazzstandards.com/jazz-standards/jazz-originals/minority/#comments</comments>
		<pubDate>Mon, 17 Jun 2013 13:10:00 +0000</pubDate>
		<dc:creator>brentvaartstra</dc:creator>
				<category><![CDATA[Jazz Originals]]></category>
		<category><![CDATA[Jazz Standards]]></category>

		<guid isPermaLink="false">http://www.learnjazzstandards.com/?p=3533</guid>
		<description><![CDATA[<p>&#8220;Minority&#8221; was written by American musician Gigi Gryce.  This tune was first recorded with Clifford Brown in 1953. Since then it has been recorded and performed by many jazz greats and has become a standard piece in the jazz repertoire.  This tune is most commonly played in the key of F minor.</p>
<p>Minority Chord Charts<br />
Minority C Instruments</p>
<p>Minority Bb &#8230;</p><div class='yarpp-related-rss'>

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				<content:encoded><![CDATA[<p>&#8220;Minority&#8221; was written by American musician Gigi Gryce.  This tune was first recorded with Clifford Brown in 1953. Since then it has been recorded and performed by many jazz greats and has become a standard piece in the jazz repertoire.  This tune is most commonly played in the key of F minor.</p>
<p><strong>Minority Chord Charts</strong><br />
<a href="http://www.learnjazzstandards.com/wp-content/uploads/2013/06/Minority-C-Instruments.pdf">Minority C Instruments</a></p>
<p><a href="http://www.learnjazzstandards.com/wp-content/uploads/2013/06/Minority-Bb-Instruments.pdf">Minority Bb Instruments</a></p>
<p><a href="http://www.learnjazzstandards.com/wp-content/uploads/2013/06/Minority-Eb-Instruments.pdf">Minority Eb Instruments</a></p>
<p><strong>Minority Play-Along</strong><br />
<iframe width="420" height="315" src="http://www.youtube.com/embed/utrHmxR6uFI" frameborder="0" allowfullscreen></iframe></p>
<p><strong>Videos to learn the melody/changes to Minority</strong><br />
<iframe width="420" height="315" src="http://www.youtube.com/embed/EDR2c6k9ixk" frameborder="0" allowfullscreen></iframe></p>
<p><iframe width="420" height="315" src="http://www.youtube.com/embed/R1Gel459AQY" frameborder="0" allowfullscreen></iframe></p>
<p><iframe width="420" height="315" src="http://www.youtube.com/embed/I-ta8S9OTmo" frameborder="0" allowfullscreen></iframe></p>
<p><iframe width="420" height="315" src="http://www.youtube.com/embed/gVBMOMBV4uY" frameborder="0" allowfullscreen></iframe></p>
<p><iframe width="420" height="315" src="http://www.youtube.com/embed/RckKPzpU1eo" frameborder="0" allowfullscreen></iframe></p>
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		<title>Album Of The Week: Jazz Side of the Moon</title>
		<link>http://www.learnjazzstandards.com/album-of-the-week/album-of-the-week-jazz-side-of-the-moon/</link>
		<comments>http://www.learnjazzstandards.com/album-of-the-week/album-of-the-week-jazz-side-of-the-moon/#comments</comments>
		<pubDate>Mon, 17 Jun 2013 13:00:18 +0000</pubDate>
		<dc:creator>brentvaartstra</dc:creator>
				<category><![CDATA[Album of the Week]]></category>

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		<description><![CDATA[<p></p>
<p>Click above to purchase Jazz Side of the Moon</p>
<p>Learn Jazz Standards.com is proud to promote the 2008 release of &#8220;Jazz Side of the Moon&#8221;.  This record is a collaboration between four musicians who represent some of the modern jazz scenes finest: Ari Hoenig on drums, Mike Moreno on guitar, Sam Yahel on B3 organ, and Seamus Blake on tenor &#8230;</p><div class='yarpp-related-rss'>

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<li><a href='http://www.learnjazzstandards.com/album-of-the-week/album-of-the-week-john-ellis-its-you-i-like/' rel='bookmark' title='Album Of The Week: John Ellis &#8220;It&#8217;s You I Like&#8221;'>Album Of The Week: John Ellis &#8220;It&#8217;s You I Like&#8221;</a> <small> Click above to purchase John Ellis&#8217; &#8220;It&#8217;s You I...</small></li>
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				<content:encoded><![CDATA[<p><iframe src="http://rcm.amazon.com/e/cm?t=learjazzstan-20&#038;o=1&#038;p=8&#038;l=as1&#038;asins=B00AOCOO3S&#038;ref=tf_til&#038;fc1=555555&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=1F8787&#038;bc1=000000&#038;bg1=DDDDDD&#038;f=ifr" style="width:120px;height:240px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></p>
<p><strong>Click above to purchase Jazz Side of the Moon</strong></p>
<p>Learn Jazz Standards.com is proud to promote the 2008 release of &#8220;Jazz Side of the Moon&#8221;.  This record is a collaboration between four musicians who represent some of the modern jazz scenes finest: Ari Hoenig on drums, Mike Moreno on guitar, Sam Yahel on B3 organ, and Seamus Blake on tenor saxophone.  As the title suggests, this record revisits and reinterprets the music of the classic Pink Floyd record &#8220;Dark Side of the Moon&#8221;.<br />
This band sheds new light on these classic progressive rock tunes, bringing to the table the spirit of jazz while still maintaining the vibe of the original album.<br />
Sam Yahel and Mike Moreno often play hypnotic and repetitive figures, while Hoenig fills in the rest with creative and free-flowing textures.  Seamus Blake is the icing on top, expressing the melodies with a new and deep personality, his improvisations rhythmically and melodically tasteful. </p>
<p>You don&#8217;t need to be a Floyd fan to enjoy this one.  Jazzers and music fans alike will enjoy this bands rendition of this classic.  Jazz Side of the Moon is highly recommended!</p>
<p><strong>Tracks</strong><strong><br />
1. 	&#8220;Speak to Me&#8221;<br />
2. 	&#8220;Breathe&#8221;<br />
3. 	&#8220;On the Run&#8221;<br />
4. 	&#8220;Time&#8221;<br />
5. 	&#8220;The Great Gig in the Sky&#8221;<br />
6. 	&#8220;Money&#8221;<br />
7. 	&#8220;Us and Them&#8221;<br />
8. 	&#8220;Any Colour You Like&#8221;<br />
9. 	&#8220;Brain Damage&#8221;<br />
10 	&#8220;Eclipse&#8221;  </p>
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		<title>You Don&#8217;t Know What Love Is</title>
		<link>http://www.learnjazzstandards.com/jazz-standards/you-dont-know-what-love-is/</link>
		<comments>http://www.learnjazzstandards.com/jazz-standards/you-dont-know-what-love-is/#comments</comments>
		<pubDate>Mon, 10 Jun 2013 18:06:29 +0000</pubDate>
		<dc:creator>brentvaartstra</dc:creator>
				<category><![CDATA[Great American Songbook]]></category>
		<category><![CDATA[Jazz Ballads]]></category>
		<category><![CDATA[Jazz Standards]]></category>

		<guid isPermaLink="false">http://www.learnjazzstandards.com/?p=3527</guid>
		<description><![CDATA[<p>&#8220;You Don&#8217;t Know What Love Is&#8221; was written by Gene De Paul and Don Raye in 1941. It was composed for the 1941 film &#8220;Keep em&#8217; Flying&#8221;, however it was dropped before it was released and later used for the 1942 film &#8220;Behind the Eight Ball&#8221;.  The song would come back into the spot light in the fifties when artists &#8230;</p><div class='yarpp-related-rss'>

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				<content:encoded><![CDATA[<p>&#8220;You Don&#8217;t Know What Love Is&#8221; was written by Gene De Paul and Don Raye in 1941. It was composed for the 1941 film &#8220;Keep em&#8217; Flying&#8221;, however it was dropped before it was released and later used for the 1942 film &#8220;Behind the Eight Ball&#8221;.  The song would come back into the spot light in the fifties when artists such as Miles Davis and John Coltrane would begin to perform it.  It&#8217;s a haunting ballad with a beautiful melody and harmony to match it.  Be sure to check out all of the different alternate changes, such as the ones in measures 3 and 4.  The original key is G minor, however, most jazz musicians call it in F minor.</p>
<p><strong>You Don&#8217;t Know What Love Is Chord Charts</strong><br />
<a href="http://www.learnjazzstandards.com/wp-content/uploads/2013/06/You-Dont-Know-What-Love-Is-C-Instruments.pdf">You Dont Know What Love Is C Instruments</a></p>
<p><a href="http://www.learnjazzstandards.com/wp-content/uploads/2013/06/You-Dont-Know-What-Love-Is-Bb-Instruments.pdf">You Dont Know What Love Is Bb Instruments</a></p>
<p><a href="http://www.learnjazzstandards.com/wp-content/uploads/2013/06/You-Dont-Know-What-Love-Is-Eb-Instruments.pdf">You Dont Know What Love Is Eb Instruments</a></p>
<p><strong>You Don&#8217;t Know What Love Is Play-Along</strong><br />
<iframe width="420" height="315" src="http://www.youtube.com/embed/-fZt8S1lu2w" frameborder="0" allowfullscreen></iframe></p>
<p><strong>Videos to learn the melody/changes to You Don&#8217;t Know What Love Is</strong><br />
<iframe width="420" height="315" src="http://www.youtube.com/embed/tLFlJIqiMLc" frameborder="0" allowfullscreen></iframe></p>
<p><iframe width="420" height="315" src="http://www.youtube.com/embed/Q-ixB-NxP74" frameborder="0" allowfullscreen></iframe></p>
<p><iframe width="420" height="315" src="http://www.youtube.com/embed/-w0lki7u3iQ" frameborder="0" allowfullscreen></iframe></p>
<p><iframe width="420" height="315" src="http://www.youtube.com/embed/avUXnAMpFoo" frameborder="0" allowfullscreen></iframe></p>
<p><iframe width="420" height="315" src="http://www.youtube.com/embed/gDWRcw4-ZFc" frameborder="0" allowfullscreen></iframe></p>
<p><iframe width="420" height="315" src="http://www.youtube.com/embed/rXDYrNaa3ac" frameborder="0" allowfullscreen></iframe></p>
<p><iframe width="420" height="315" src="http://www.youtube.com/embed/TaFQJ9srhXE" frameborder="0" allowfullscreen></iframe></p>
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		<title>Wayne Shorter &#8220;Without A Net&#8221;</title>
		<link>http://www.learnjazzstandards.com/album-of-the-week/album-of-the-week-wayne-shorter-without-a-net/</link>
		<comments>http://www.learnjazzstandards.com/album-of-the-week/album-of-the-week-wayne-shorter-without-a-net/#comments</comments>
		<pubDate>Mon, 10 Jun 2013 15:25:14 +0000</pubDate>
		<dc:creator>brentvaartstra</dc:creator>
				<category><![CDATA[Album of the Week]]></category>

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<p>Click above to purchase Wayne Shorter&#8217;s &#8220;Without A Net&#8221;</p>
<p>Learn Jazz Standards.com is proud to promote the jazz great Wayne Shorter&#8217;s 2013 release of &#8220;Without A Net&#8221;. Joining Shorter for this release is his legendary quartet which has been with him for over a decade: Brian Blade on drums, John Patitucci on bass, and Danilo Perez on piano.<br />
Without A &#8230;</p><div class='yarpp-related-rss'>

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				<content:encoded><![CDATA[<p><iframe style="width: 120px; height: 240px;" src="http://rcm.amazon.com/e/cm?t=learjazzstan-20&amp;o=1&amp;p=8&amp;l=as1&amp;asins=B00B13P5EG&amp;ref=tf_til&amp;fc1=555555&amp;IS2=1&amp;lt1=_blank&amp;m=amazon&amp;lc1=1F8787&amp;bc1=000000&amp;bg1=DDDDDD&amp;f=ifr" height="240" width="320" frameborder="0" marginwidth="0" marginheight="0" scrolling="no"></iframe></p>
<p><strong>Click above to purchase Wayne Shorter&#8217;s &#8220;Without A Net&#8221;</strong></p>
<p>Learn Jazz Standards.com is proud to promote the jazz great Wayne Shorter&#8217;s 2013 release of &#8220;Without A Net&#8221;. Joining Shorter for this release is his legendary quartet which has been with him for over a decade: Brian Blade on drums, John Patitucci on bass, and Danilo Perez on piano.<br />
Without A Net is another compilation of live recordings, a setting in which the Shorter quartet works best. What defines this quartet is their cohesive communication with one another. There is a strong musical understanding among these musicians, which allows for freedom in the music they produce. Without A Net is their best demonstration of this to date.</p>
<p>Shorter revisits tunes such as <strong>Orbits</strong>, a piece first recorded with Miles Davis on &#8220;Miles Smiles&#8221;. The 23 minute long epic <strong>Pegasus</strong> is certainly a highlight of this album. The wind ensemble, Imani Winds, joins the group for a phenomenal performance at the Walt Disney Concert Hall in Los Angeles, California. Wayne Shorter&#8217;s powerful and elusive sound shines forth throughout the repertoire. <strong>Myrrh</strong> is a moving piece and brings forth this sound with new intensity. The close relationships these musicians have with one another is apparent through their interactions in <strong>Zero Gravity to the 10th Power</strong>.</p>
<p>Without A Net is best described as an experience. It&#8217;s a journey of sorts and each tune leads you to different scenery. Wayne Shorter contains a musical force that very few other musicians in jazz history have possessed. It&#8217;s his control and mastery over his music and sound that makes this record unforgettable. If you want to hear music that comes straight from the core of a persons being, look no further.</p>
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		<title>Inner Urge</title>
		<link>http://www.learnjazzstandards.com/jazz-standards/jazz-originals/inner-urge/</link>
		<comments>http://www.learnjazzstandards.com/jazz-standards/jazz-originals/inner-urge/#comments</comments>
		<pubDate>Tue, 04 Jun 2013 21:56:07 +0000</pubDate>
		<dc:creator>brentvaartstra</dc:creator>
				<category><![CDATA[Jazz Originals]]></category>
		<category><![CDATA[Jazz Standards]]></category>

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		<description><![CDATA[<p>&#8220;Inner Urge&#8221; was written by the great tenor saxophonist Joe Henderson. It was composed for his hit 1965 record also entitled Inner Urge.  Henderson describes the inspiration of this tune coming from a time where he was &#8220;consumed by an inner urgency which could only be satisfied through this tune. During that period I was coping with the anger and &#8230;</p><div class='yarpp-related-rss'>

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				<content:encoded><![CDATA[<p>&#8220;Inner Urge&#8221; was written by the great tenor saxophonist Joe Henderson. It was composed for his hit 1965 record also entitled Inner Urge.  Henderson describes the inspiration of this tune coming from a time where he was &#8220;consumed by an inner urgency which could only be satisfied through this tune. During that period I was coping with the anger and frustration that can come of trying to find your way in the maze of New York, and of trying to adjust the pace you have to set in hacking your way in that city in order to just exist.&#8221;<br />
This piece reflects this attitude quite accurately.  The melody is intense and the harmony is modal; a reflection of the era in which it was written.  <strong>Be sure to study the original recording to learn the rhythmic hits during the head</strong>.  It can be helpful to practice blowing over this tune with a play-along in order to get the harmony in your ears, however, be sure to graduate to just you and a metronome.</p>
<p><strong>Purchase Inner Urge Mp3&#8242;s</strong><br />
<OBJECT classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://fpdownload.macromedia.com/get/flashplayer/current/swflash.cab" id="Player_1da27bd1-27fe-4d5e-9151-f648a001513c"  WIDTH="250px" HEIGHT="250px"> <PARAM NAME="movie" VALUE="http://ws.amazon.com/widgets/q?rt=tf_w_mpw&#038;ServiceVersion=20070822&#038;MarketPlace=US&#038;ID=V20070822%2FUS%2Flearjazzstan-20%2F8014%2F1da27bd1-27fe-4d5e-9151-f648a001513c&#038;Operation=GetDisplayTemplate"><PARAM NAME="quality" VALUE="high"><PARAM NAME="bgcolor" VALUE="#FFFFFF"><PARAM NAME="allowscriptaccess" VALUE="always"><embed src="http://ws.amazon.com/widgets/q?rt=tf_w_mpw&#038;ServiceVersion=20070822&#038;MarketPlace=US&#038;ID=V20070822%2FUS%2Flearjazzstan-20%2F8014%2F1da27bd1-27fe-4d5e-9151-f648a001513c&#038;Operation=GetDisplayTemplate" id="Player_1da27bd1-27fe-4d5e-9151-f648a001513c" quality="high" bgcolor="#ffffff" name="Player_1da27bd1-27fe-4d5e-9151-f648a001513c" allowscriptaccess="always"  type="application/x-shockwave-flash" align="middle" height="250px" width="250px"></embed></OBJECT> <NOSCRIPT><A HREF="http://ws.amazon.com/widgets/q?rt=tf_w_mpw&#038;ServiceVersion=20070822&#038;MarketPlace=US&#038;ID=V20070822%2FUS%2Flearjazzstan-20%2F8014%2F1da27bd1-27fe-4d5e-9151-f648a001513c&#038;Operation=NoScript">Amazon.com Widgets</A></NOSCRIPT></p>
<p><strong>Inner Urge Chord Charts</strong><br />
<a href='http://www.learnjazzstandards.com/wp-content/uploads/2013/06/Inner-Urge-C-Instruments.pdf'>Inner Urge C Instruments</a></p>
<p><a href='http://www.learnjazzstandards.com/wp-content/uploads/2013/06/Inner-Urge-Bb-Instruments.pdf'>Inner Urge Bb Instruments</a></p>
<p><a href='http://www.learnjazzstandards.com/wp-content/uploads/2013/06/Inner-Urge-Eb-Instruments.pdf'>Inner Urge Eb Instruments</a></p>
<p><strong>Inner Urge Play-Along</strong><br />
<iframe width="420" height="315" src="http://www.youtube.com/embed/F8CmaCV0Dv0" frameborder="0" allowfullscreen></iframe></p>
<p><strong>Videos to learn the melody/changes to Inner Urge</strong><br />
<iframe width="420" height="315" src="http://www.youtube.com/embed/_wM1YQQV5cg" frameborder="0" allowfullscreen></iframe></p>
<p><iframe width="420" height="315" src="http://www.youtube.com/embed/DnnEECb8Q88" frameborder="0" allowfullscreen></iframe></p>
<p><iframe width="420" height="315" src="http://www.youtube.com/embed/KzgFUduwM-w" frameborder="0" allowfullscreen></iframe></p>
<p><iframe width="420" height="315" src="http://www.youtube.com/embed/lTSBKQ5WlvY" frameborder="0" allowfullscreen></iframe></p>
<p><iframe width="420" height="315" src="http://www.youtube.com/embed/N4jhGBZE2kY" frameborder="0" allowfullscreen></iframe></p>
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		<title>Gonzalo Rubalcaba &#8220;Avatar&#8221;</title>
		<link>http://www.learnjazzstandards.com/album-of-the-week/gonzalo-rubalcaba-avatar/</link>
		<comments>http://www.learnjazzstandards.com/album-of-the-week/gonzalo-rubalcaba-avatar/#comments</comments>
		<pubDate>Mon, 03 Jun 2013 22:44:33 +0000</pubDate>
		<dc:creator>brentvaartstra</dc:creator>
				<category><![CDATA[Album of the Week]]></category>

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		<description><![CDATA[<p></p>
<p>Click above to purchase Gonzalo Rubalcaba&#8217;s &#8220;Avatar&#8221;</p>
<p>Learn Jazz Standards.com is proud to promote pianist Gonzalo Rubalcaba&#8217;s 2008 release of Avatar.<br />
Joining Rubalcaba on this release is Yosvany Terry on saxophones, Mike Rodriguez on trumpet, Matt Brewer on bass, and Marcus Gilmore on drums.  On this record, the Cuban-pianist delves into the music of his fellow musicians.  All but one &#8230;</p><div class='yarpp-related-rss'>

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<li><a href='http://www.learnjazzstandards.com/album-of-the-week/album-of-the-week-gerald-clayton-life-forum/' rel='bookmark' title='Album Of The Week: Gerald Clayton &#8220;Life Forum&#8221;'>Album Of The Week: Gerald Clayton &#8220;Life Forum&#8221;</a> <small> Click above to purchase Gerald Clayton&#8217;s &#8220;Life Forum&#8221; Learn...</small></li>
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				<content:encoded><![CDATA[<p><iframe src="http://rcm.amazon.com/e/cm?t=learjazzstan-20&#038;o=1&#038;p=8&#038;l=as1&#038;asins=B0012X80C4&#038;ref=tf_til&#038;fc1=555555&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=1F8787&#038;bc1=000000&#038;bg1=DDDDDD&#038;f=ifr" style="width:120px;height:240px;" scrolling="no" marginwidth="0" marginheight="0" frameborder="0"></iframe></p>
<p><strong>Click above to purchase Gonzalo Rubalcaba&#8217;s &#8220;Avatar&#8221;</strong></p>
<p>Learn Jazz Standards.com is proud to promote pianist Gonzalo Rubalcaba&#8217;s 2008 release of Avatar.<br />
Joining Rubalcaba on this release is Yosvany Terry on saxophones, Mike Rodriguez on trumpet, Matt Brewer on bass, and Marcus Gilmore on drums.  On this record, the Cuban-pianist delves into the music of his fellow musicians.  All but one of the original tunes is written by his bandmates.  This album is propelled by virtuosity and groove.  The group approaches their interaction with a loose and free nature; a characteristic of jazz in its modern form, however Rubalcaba does not forget his Latin roots.  Rhythm and energy is saturated in this repertoire.  The bass and piano double lines on tunes such as <strong>Into the Retrospective</strong>.  Gonzalo also demonstrates his sensitivity and mastery of the trio on Horace Silver&#8217;s ballad <strong>Peace</strong>.</p>
<p>This record is highly recommended for jazz fans who truly love the evolution of the music and where it is going. Creativity is let loose, allowing there to be no lack of excitement and movement.  Rubalcaba&#8217;s voice as a pianist is very special, and for those who are not familiar, he is a must to check out.<br />
Avatar is a gem of a record in the modern jazz movement.  </p>
<p><strong>Tracks</strong><br />
Looking Into Retrospective<br />
This Is It<br />
Aspiring To Normalcy<br />
Peace<br />
Hip Side<br />
Infantil<br />
Preludio Corto No. 2 for piano</p>
<p><iframe width="420" height="315" src="http://www.youtube.com/embed/EszOmNiyvyo" frameborder="0" allowfullscreen></iframe>  </p>
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		<title>Work Song</title>
		<link>http://www.learnjazzstandards.com/jazz-standards/jazz-originals/work-song/</link>
		<comments>http://www.learnjazzstandards.com/jazz-standards/jazz-originals/work-song/#comments</comments>
		<pubDate>Thu, 30 May 2013 14:55:37 +0000</pubDate>
		<dc:creator>brentvaartstra</dc:creator>
				<category><![CDATA[Jazz Originals]]></category>
		<category><![CDATA[Jazz Standards]]></category>

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		<description><![CDATA[<p>&#8220;Work Song&#8221; was written by Nat Adderley.  This tune is essentially a 16 bar F minor blues.  Pay special attention to the hits that are played on the head.  Check out the original recording to learn them, as they are an important part of this composition.  </p>
<p>Purchase Work Song Mp3&#8242;s<br />
  Amazon.com Widgets</p>
<p>Work Song Chord Charts<br />
Work Song C Instruments&#8230;</p><div class='yarpp-related-rss'>

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<li><a href='http://www.learnjazzstandards.com/jazz-standards/jazz-originals/moments-notice/' rel='bookmark' title='Moment&#8217;s Notice'>Moment&#8217;s Notice</a> <small>&#8220;Moment&#8217;s Notice&#8221; is a tune written by the great tenor...</small></li>
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]]></description>
				<content:encoded><![CDATA[<p>&#8220;Work Song&#8221; was written by Nat Adderley.  This tune is essentially a 16 bar F minor blues.  Pay special attention to the hits that are played on the head.  Check out the original recording to learn them, as they are an important part of this composition.  </p>
<p><strong>Purchase Work Song Mp3&#8242;s</strong><br />
<OBJECT classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://fpdownload.macromedia.com/get/flashplayer/current/swflash.cab" id="Player_ea6449a8-7e64-48f8-b0d8-dee59018810f"  WIDTH="250px" HEIGHT="250px"> <PARAM NAME="movie" VALUE="http://ws.amazon.com/widgets/q?rt=tf_w_mpw&#038;ServiceVersion=20070822&#038;MarketPlace=US&#038;ID=V20070822%2FUS%2Flearjazzstan-20%2F8014%2Fea6449a8-7e64-48f8-b0d8-dee59018810f&#038;Operation=GetDisplayTemplate"><PARAM NAME="quality" VALUE="high"><PARAM NAME="bgcolor" VALUE="#FFFFFF"><PARAM NAME="allowscriptaccess" VALUE="always"><embed src="http://ws.amazon.com/widgets/q?rt=tf_w_mpw&#038;ServiceVersion=20070822&#038;MarketPlace=US&#038;ID=V20070822%2FUS%2Flearjazzstan-20%2F8014%2Fea6449a8-7e64-48f8-b0d8-dee59018810f&#038;Operation=GetDisplayTemplate" id="Player_ea6449a8-7e64-48f8-b0d8-dee59018810f" quality="high" bgcolor="#ffffff" name="Player_ea6449a8-7e64-48f8-b0d8-dee59018810f" allowscriptaccess="always"  type="application/x-shockwave-flash" align="middle" height="250px" width="250px"></embed></OBJECT> <NOSCRIPT><A HREF="http://ws.amazon.com/widgets/q?rt=tf_w_mpw&#038;ServiceVersion=20070822&#038;MarketPlace=US&#038;ID=V20070822%2FUS%2Flearjazzstan-20%2F8014%2Fea6449a8-7e64-48f8-b0d8-dee59018810f&#038;Operation=NoScript">Amazon.com Widgets</A></NOSCRIPT></p>
<p><strong>Work Song Chord Charts</strong><br />
<a href='http://www.learnjazzstandards.com/wp-content/uploads/2013/05/Work-Song-C-Instruments.pdf'>Work Song C Instruments</a></p>
<p><a href='http://www.learnjazzstandards.com/wp-content/uploads/2013/05/Work-Song-Bb-Instruments.pdf'>Work Song Bb Instruments</a></p>
<p><a href='http://www.learnjazzstandards.com/wp-content/uploads/2013/05/Work-Song-Eb-Instruments.pdf'>Work Song Eb Instruments</a></p>
<p><strong>Work Song Play-Along</strong><br />
<iframe width="420" height="315" src="http://www.youtube.com/embed/or0IlXTmFiY" frameborder="0" allowfullscreen></iframe></p>
<p><strong>Videos to learn the melody/changes to Work Song</strong><br />
<iframe width="420" height="315" src="http://www.youtube.com/embed/VBxAC4ywaJ4" frameborder="0" allowfullscreen></iframe></p>
<p><iframe width="420" height="315" src="http://www.youtube.com/embed/0UcP1g84J9k" frameborder="0" allowfullscreen></iframe></p>
<p><iframe width="420" height="315" src="http://www.youtube.com/embed/yfQNdwgvJMw" frameborder="0" allowfullscreen></iframe></p>
<p><iframe width="420" height="315" src="http://www.youtube.com/embed/tVGl_2Wtg1E" frameborder="0" allowfullscreen></iframe></p>
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		<title>Great Basin Jazz Camp Full Scholarship Competition</title>
		<link>http://www.learnjazzstandards.com/blog/great-basin-jazz-camp-full-scholarship-competition/</link>
		<comments>http://www.learnjazzstandards.com/blog/great-basin-jazz-camp-full-scholarship-competition/#comments</comments>
		<pubDate>Wed, 22 May 2013 15:00:32 +0000</pubDate>
		<dc:creator>brentvaartstra</dc:creator>
				<category><![CDATA[Announcements]]></category>
		<category><![CDATA[Blog]]></category>

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		<description><![CDATA[<p>Hello LJS community!</p>
<p>The Great Basin Jazz Camp is offering a full-tuition scholarship through Learn Jazz Standards.com! This week-long workshop boasts esteemed faculty members such as world-renowned guitarist Bruce Forman and trumpeter Carl Sanders.  Also, LJS&#8217;s very own Camden Hughes has been on faculty at the Great Basin Jazz Camp for 6 years now!  The camp will be July 8-12th this summer at Treasure Valley Community &#8230;</p><div class='yarpp-related-rss yarpp-related-none'>

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]]></description>
				<content:encoded><![CDATA[<p>Hello LJS community!</p>
<p>The Great Basin Jazz Camp is offering a <strong>full-tuition scholarship</strong> through Learn Jazz Standards.com! This week-long workshop boasts esteemed faculty members such as world-renowned guitarist Bruce Forman and trumpeter Carl Sanders.  Also, LJS&#8217;s very own Camden Hughes has been on faculty at the Great Basin Jazz Camp for 6 years now!  The camp will be July 8-12th this summer at Treasure Valley Community College in Ontario, Oregon.  Don&#8217;t miss out on this incredible opportunity!</p>
<p>The Great Basin Jazz Camp is a great opportunity to improve your jazz playing over the summer. The majority of the students are between 15-21 years old, though it is an all-ages camp. <strong>This full scholarship is available for jazz musicians of all ages who would like to apply. It is a full tuition scholarship, including room and board, but you must provide your own transportation to and from camp. </strong></p>
<p><strong></strong><br />
The<strong> deadline</strong> to submit your application and audition material is <strong>June 8th</strong>. We must receive your application materials by<strong> e-mail</strong> at <strong>learnjazzstandards@gmail.com</strong> by June 8th.</p>
<p><strong>To apply for the scholarship, you must submit 3 tunes of your playing and an application. </strong></p>
<p><strong></strong><br />
You will need to submit an audio (mp3) or video recording of you playing the melody and improvising on three tunes, including:</p>
<ul>
<li><strong>A blues (play the head, 3 choruses of improvisation, and the head again)</strong></li>
<li><strong>A ballad (play the head, one chorus of improvisation, and the head again)</strong></li>
<li><strong>A standard of your choice (play the head, 1-2 choruses of improvisation, head)</strong></li>
</ul>
<p>Additionally please fill out this application:</p>
<p><a href="http://www.learnjazzstandards.com/wp-content/uploads/2013/05/lJS-GBJC-Scholarship-Application.doc">Scholarship Application Form</a></p>
<p><strong><em>Scholarship Rules:</em></strong></p>
<p>You may use your own band to record the required tunes or use a <strong>Learn Jazz Standards.com play-along</strong> to accompany you.</p>
<p>All supporting material must be emailed to <strong>learnjazzstandards@gmail.com</strong> by <strong>June 8th 2013 </strong>to be considered. The winner will be announced shortly thereafter.</p>
<p>To learn more about the Great Basin Jazz Camp, visit: <strong><a href="http://www.greatbasinjazzcamp.com/">www.greatbasinjazzcamp.com</a></strong></p>
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		<title>Paul Motian &#8220;Garden of Eden&#8221;</title>
		<link>http://www.learnjazzstandards.com/album-of-the-week/paul-motian-garden-of-eden/</link>
		<comments>http://www.learnjazzstandards.com/album-of-the-week/paul-motian-garden-of-eden/#comments</comments>
		<pubDate>Tue, 21 May 2013 15:47:04 +0000</pubDate>
		<dc:creator>brentvaartstra</dc:creator>
				<category><![CDATA[Album of the Week]]></category>

		<guid isPermaLink="false">http://www.learnjazzstandards.com/?p=3450</guid>
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<p>Click above to purchase Paul Motian&#8217;s &#8220;Garden of Eden&#8221;</p>
<p>Learn Jazz Standards.com is proud to promote the late great drummer Paul Motian&#8217;s 2006 release of &#8220;Garden of Eden&#8221;.  Joining Motian is a large and unconventional band of unique musicians.  Three guitarists fill the role: Ben Monder, Steve Cardenas, and Jakob Bro.  Chris Cheek and Tony Malaby play saxophones and Jerome &#8230;</p><div class='yarpp-related-rss'>

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<p><strong>Click above to purchase Paul Motian&#8217;s &#8220;Garden of Eden&#8221;</strong></p>
<p>Learn Jazz Standards.com is proud to promote the late great drummer Paul Motian&#8217;s 2006 release of &#8220;Garden of Eden&#8221;.  Joining Motian is a large and unconventional band of unique musicians.  Three guitarists fill the role: Ben Monder, Steve Cardenas, and Jakob Bro.  Chris Cheek and Tony Malaby play saxophones and Jerome Harris has the bass slot.  This record focuses on the loose and highly dialogue driven style of Motian.  Collective improvisation plays a vital role and the band executes with beautiful creativity.<br />
The record is kicked off with a few Charles Mingus tunes, <strong>Pithecanthropus Erectus</strong> and <strong>Goodbye Pork Pie Hat</strong>.  Other jazz composers are featured as well. The band does a great rendition of Charlie Parker&#8217;s <strong>Cheryl</strong> and Thelonious Monk&#8217;s <strong>Evidence</strong>. However, what really makes this Paul Motian album special are the originals, 7 by Motian and one each by Cardenas and Cheek.  <strong>Mesmer</strong> is a tune with a simple theme which is expanded upon and improvised with. The energy and haunting vibe created on this record makes it unique and thrilling.  It&#8217;s playful, conversational and at moments dark.  The spirit of jazz and it&#8217;s ability to become personalized, resonates throughout this collection of music.</p>
<p>Garden of Eden is highly suggested.  Paul Motian is one of the greatest drummers in jazz. With a career span that included working with the Bill Evans trio, to leading his own groups into this modern day, Motian has had a huge impact on this music. Don&#8217;t miss out on the experience this record has to offer.</p>
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		<title>Freight Trane</title>
		<link>http://www.learnjazzstandards.com/jazz-standards/jazz-originals/freight-trane/</link>
		<comments>http://www.learnjazzstandards.com/jazz-standards/jazz-originals/freight-trane/#comments</comments>
		<pubDate>Fri, 17 May 2013 23:02:25 +0000</pubDate>
		<dc:creator>brentvaartstra</dc:creator>
				<category><![CDATA[Jazz Originals]]></category>
		<category><![CDATA[Jazz Standards]]></category>

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		<description><![CDATA[<p>&#8220;Freight Trane&#8221; was written by the great pianist Tommy Flanagan for John Coltrane, as the title suggests. It was recorded on the 1958 record &#8220;Kenny Burrell and John Coltrane&#8221;.</p>
<p>This tune is what jazz musicians call a &#8220;be-bop blues&#8221; or a &#8220;Bird Blues&#8221;(Charlie Parker). It has the same chord progression as Parker&#8217;s &#8220;Blues For Alice&#8221;.</p>
<p>This tune is played in &#8230;</p><div class='yarpp-related-rss'>

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				<content:encoded><![CDATA[<p>&#8220;Freight Trane&#8221; was written by the great pianist Tommy Flanagan for John Coltrane, as the title suggests. It was recorded on the 1958 record &#8220;Kenny Burrell and John Coltrane&#8221;.</p>
<p>This tune is what jazz musicians call a &#8220;be-bop blues&#8221; or a &#8220;Bird Blues&#8221;(Charlie Parker). It has the same chord progression as Parker&#8217;s &#8220;Blues For Alice&#8221;.</p>
<p>This tune is played in the key of Ab major.</p>
<p><strong>Purchase Freight Trane Mp3&#8242;s</strong><br />
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<p><strong>Freight Trane Chord Charts</strong><br />
<a href="http://www.learnjazzstandards.com/wp-content/uploads/2013/05/Freight-Trane-C-Instruments.pdf">Freight Trane C Instruments</a></p>
<p><a href="http://www.learnjazzstandards.com/wp-content/uploads/2013/05/Freight-Trane-Bb-Instruments.pdf">Freight Trane Bb Instruments</a></p>
<p><a href="http://www.learnjazzstandards.com/wp-content/uploads/2013/05/Freight-Trane-Eb-Instruments.pdf">Freight Trane Eb Instruments</a></p>
<p><strong>Freight Trane Play-along</strong><br />
<iframe src="http://www.youtube.com/embed/cXTeyMKO3G0" height="315" width="420" allowfullscreen="" frameborder="0"></iframe></p>
<p><strong>Videos to learn the melody/changes to Freight Trane</strong></p>
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<li><a href='http://www.learnjazzstandards.com/jazz-standards/equinox/' rel='bookmark' title='Equinox'>Equinox</a> <small>&#8220;Equinox&#8221; was written by the great tenor saxophonist John Coltrane....</small></li>
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